On the road is the first chapter of The leftover girl, a companion volume to the Lights in the sky trilogy. This chapter is now available on this website as a taster for the new and so far uncompleted novel.
The title is an obvious literary reference, but our hero is an independent young woman rather than stereotypical male character normally found in the ‘road’ genre. We’ve met Tata before, and her narrative picks up a few months after when we last saw her, at the end of chapter five of The lost colony.
The novel is cast as a picaresque with Tata as the roguish proletarian heroine living on her wits among the corruption of post-Collapse Earth. She can shoot, fix her truck, scavenge, find work and fuel etc…
Occasionally she uses her body as part of the transaction, but always on her own terms. We learn little about why she’s on the road, apart from that she is fleeing unspecified ‘trouble!’ We do learn that she has hopes and dreams, poorly defined though these are…
The opening chapter also introduces to the post-Collapse world, characterised by migration, lawlessness, and the sense that towns and cities are becoming more isolated as communication between them breaks down.
The narrative takes the form of a picaresque odyssey as our hero journeys west from Olinda, her home of the last fifteen years, into the interior. We are introduced by dream sequence and flashback to one of the other narratives that will constitute the novel.
A dream the adult Tata has, while sleeping out under the stars in the high sierra, introduces us to her childhood self. We learn about her relationship with her over-protective mother, and we are also introduced to the other woman in her life, her mysterious benefactor, Mrs Choi. If this all seems rather Dickensian, this is, of course, my intention. The leftover girl is an adventure story; the emphasis here is on story, as much as on character, form, or mood. Lots of things happen, and the action is episodic, but this deliberate!
The plot of the opening chapter concerns itself with two chance encounters; firstly, with the mechanic who sells her the methanol she needs to move onwards in her quest. Tata doesn’t have the money to buy all the fuel she needs, so they settle on a different kind of trade. Although brief and perfunctory, the exchange has long term consequences that only become clear later on.
Her second encounter, with refugee family from Venezuela, lasts much longer (in fact it temporarily interrupts Tata’s quest), and has far more emotional resonance, especially as it reminds our hero of what she has lost. But in the end, the urge to move forward overcomes the temptation to stay, as Tata runs away again…
C.E. Stevens – March 2017