Book Cover for 'The Leftover Girl'
Senhora Daguia
Priya
Rai
Nurse G
Marta
Pseudo-shrubs (detail)
The Dome (detail)
Jorja
Planet
Planet Surface (Detail)
Pseudo-crustacean
Book Cover for 'A Children's Crusade'
Su Ying
Han
Alphane life (detail) , dome in distance

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Month: March 2018

More ‘interesting times!’

More ‘interesting times!’

Blog entry supplemental seventeen: More ‘interesting times!’
I’m now more than one hundred pages into writing The Great Flood, or roughly a third of the way through. I feel like I’m occupying two time zones simultaneously, experiencing the present while feeling it feed into my fictional future. Make that presumably and hopefully fictional! But I’m not so sure about this; from the standpoint of March 2018, the abiding feeling is of racing towards an unseen precipice.

I am reading the news online obsessively. To the point where I acknowledge that it’s no longer healthy. But this is a malign addiction (shared by many of us!) that I can’t shake! You know it’s only going to upset, enrage and alarm you, but you can’t stop!

I can’t remember the precise stories, but reading Google news last week I came to the conclusion that the world had actually gone mad! That irrationality has finally triumphed and reason has reluctantly left the battlefield! Not a difficult conclusion to come to when Russian exiles are being murdered on the streets of the United Kingdom with apparent impunity, and the so-called ‘Government’ appears powerless to do anything!

Over the pond Trump boasts openly about the lies he tells to other world leaders (for Christ’s sake!), adding these to the ones he tells routinely to the American people! Now I wasn’t a great fan of Ronald Reagan or either President Bush, but I thought at least that they were men of honour! We’ll draw a veil over Richard Nixon…

Even more worryingly the insidious rise of the far-right continues around the globe!

The Great Flood is set in the world that has been produced by these tendencies. So far the story has focussed on climate change and the dramatic consequences of this, but I feel that in the rest of the novel I need to up my game and dramatise the political, social, economic, and cultural changes more forcefully than I have thus far. The first draft is really about getting the story down (…the framework, if you like!), introducing and developing the characters by writing effective dialogue…

The next task is introduce depth into the prose by developing and manifesting the underlying themes, using symbolism, metaphor et al!

My themes are written out (although new ones may emerge!), I now need to weave them more fully into the fabric of the novel…

On that note…