At many points during the writing of Lights in the sky I have thought I was being guided in some way; but before you reach for the straitjacket I’m not claiming divine revelation or anything along those lines. I am merely repeating the commonplace that a novel (and especially a series of novels) at some stage takes on a life of its own and starts to make its own demands. At this point the ‘author’ becomes its servant rather its master.
At many points during the four year writing period I have wondered where this or that idea came from, and marvelled that something I wrote should fit so perfectly with what had been written previously without me consciously aware of this.
A rational explanation would be that on an unconscious level I knew what was required and framed my prose accordingly; naturally as a Romantic I prefer a more mystical explanation.
Anyway, the reason I’m banging on about this now is that, during one of many revisions of the text, I decided to investigate the symbolism lying behind the references to the natural world that pepper the series. Specifically, I looked up the symbolic meanings of hummingbirds, hibiscus blooms, macaws, monkeys, and jaguars.
I’ll confess I did look up the symbolic meaning of dolphins when I decided that one would play a significant role in the journey of my protagonist, Tata. I was heartened to learn that in Greek Mythology the dolphin carries the spirits of the dead to a new reality. Tata, of course, in symbolic terms dies and is reborn during her journey down the River on her raft, a point I make explicitly at the end of the chapter. It was therefore wholly appropriate that a dolphin should be her ferryman from one mode of being to another. But the point is, I didn’t know any of this (at least on a conscious level) when I made the decision to cast a river dolphin in this role.
I will confess that I did do a similar exercise when I researched the symbolic meanings of rivers, and this has influenced the text of The leftover girl, which (of course) has a journey up the Amazon River at its heart.
Thinking about this later, and noticing that similar references to the natural world recur in the four books, I decided to check out the symbolic meaning of these, and see how well I have done in choosing appropriate symbolic referents elsewhere in the text.
There are a number of references to hummingbirds and red hibiscus flowers dotted throughout the tetralogy, usually the two occurring together!
Hummingbirds represent (and I’m being selective here!), hope, eternity, continuity, and infinity among other things, which would appear to fit with the overall mood and philosophical thrust of the series.
In North America Hibiscus often symbolises the perfect wife or woman (so obviously I’m using it ironically here!), but in China its meaning is different, where it symbolises the fleeting nature of fame, beauty and personal glory! So no exact fit here, but I would argue all of these notions are aspects of the series!
Macaw is more promising territory as the Bororo people (who live close to where the action of The leftover girl takes place) believe they are reincarnated as macaws during the complex of transmigration of souls that forms part of their mythology. So, the right general area; interestingly macaws are seen by much of Amerindian culture as avatars of solar heavenly fire, in opposition to the jaguar which represents the chthonic fire of the underworld!
So, not inappropriate, and symbols which lead me to want to consider afresh the innate symbolic meanings contained within the novel.
Finally, the monkey nearly always represents the trickster, but can also symbolise a need to renew your affectionate ties with friends and relations; so, no real congruence there! Although, interestingly, in the poetry of T.S. Eliot, the marmoset is referenced alongside the Brazilian jaguar!
There would seem to be an awful lot of lucky guesses on my part here! or maybe my unconsciousness knows what it’s doing, even if my conscious mind doesn’t!
